For most of my growing-up years,
I felt like I was on the outside looking in, the odd man out, so to speak. For
instance, I noticed when I was the only one in a chair while others lounged on
a couch. Or maybe others were on the floor, and I was on the sofa. If I was on
the right, the others were on the left. And so on. Ridiculous, I know. It makes
me sound very over-sensitive, and I guess I was, on the inside. And I certainly
wasn't one of the cool kids. I think I was often invisible, which is worse than
being overlooked. My dad being in the Army, we moved a lot and changed schools.
When I think about all that moving now, I realize it helped me learn to adapt and be
flexible. But it didn't feel like that at the time. Sometimes it seemed like we
were constantly the new kids. Most of my feeling left out was in my head and my
heart. It wasn't accurate, but I perceived it to be real. And that made it so.
We are what we think (paraphrased Proverbs 23:7).
I never felt like I didn't belong
with my family, but there were noticeable differences. I had a nose that was
small and turned up ever so slightly on the end. My siblings had long noses
that were either straight like my dad's or hooked under like my mom's. So whose
nose did I have? Did I look like anyone? There weren't just physical
differences between my sisters, brother, and me. My sibling's college studies
were analytical (math and political science), and I studied recreation therapy.
I was not like them, not in looks or interests. I loved them, and they loved
me, but there were more differences than similarities. Most of the time, we
didn't see the differences. At least, I'm pretty sure they didn't. Sometimes we
even forgot I was adopted, like when my mother took me to the doctor when I had
allergy problems. Mom said, "well, I guess she got those from me; I have
lots of hay fever." And the doctor said, "Pat, wasn't Caroline
adopted?" But when I did notice the ways I was different, they were
magnified in my mind times one hundred.
My mother was musical - she sang
and could play the piano. And she wanted all her children to be musical too. My
brother sang and played the guitar. My sisters both sang and played the piano
and the flute. And my youngest sister went on to play other instruments as
well. They were all in musicals. I never auditioned but was always there to
pass out the programs. I was excellent at handing out programs. They were on
the inside, and I was looking in from the outside.
The guitar is the only instrument
I wish I had kept playing. I could have gotten the hang of it after a few more
decades. Next was the piano. I could play Chopsticks reasonably well. And Home
on the Range was appropriate as we lived in Kansas while I was learning. I
didn't practice as much as I could have, but I didn't not practice. Playing
instruments can be a learned skill, but then there are the ones who have an
aptitude for music. Music flows, it's not hard for them, and from the outside,
it looks easy. Unfortunately, I didn't have the knack. I didn't want to play an
instrument. I don't remember mom or dad asking me if I wanted to play. They
only asked me which instrument I wanted to learn. And I wanted to please them.
So I kept trying and kept picking a new one.
Last was the clarinet. I was
almost decent. In 8th or 9th grade, our band had a competition, and all the
players had to perform their parts individually for our band director. In my
section, there were first, second and third chairs. I think I was probably
seventh or eighth chair. There were only seven or eight clarinets. Well, I
played my parts for the director. And after I finished, he let out a big sigh.
Then he said, I want you to play the first two lines, and then from the third
line on the first page to the middle of the fifth page (or something like
that), I don't want you to play. You can restart on the last page until the
end.
Not long after this competition,
and I don't remember how we placed, my clarinet went missing from my school
locker. A few days before, I was walking in the school hallway, and a boy my
age ran into me on purpose; he almost knocked me down. I was carrying my
clarinet in its case, and I hauled off and hit the boy with my case as hard as
I could. I knocked him into the lockers and kept walking like I did this sort
of thing all the time, and it was no big deal. However, my heart was racing
inside, and I had reacted without thinking. I didn't put it together until
years after that this kid was probably behind my clarinet going missing. I also
didn't realize until years later that rage lived within me, and this incident
was just a little steam escaping.
A few weeks later, the band
director summoned me to his office. He was gleeful when he told me my
instrument had surfaced, and "let's go get it, shall we? Of course, I
wasn't nearly as thrilled as he was, but we retrieved it, and I don't remember
playing it again after that incident.
Sometime later, my mother wanted
all her girls to sing together. Since the instruments weren't working out for
me, I think this was her last hope for me being musical. I was not looking
forward to this endeavor. My youngest sister was taking classical voice training
– that's a fancy way of saying she was learning to sing opera, in Italian and
everything. At the first (and only time I attended) lesson, Mrs. Baker asked us
to sing the scales together, which we did. Then, she looked at me puzzled and
asked me to sing the scale on my own. My heart pounding, I knew I couldn't back
out unless I flat out refused. But she didn't live near us, so I couldn't bolt
out the door and run home. So I was stuck there in this humiliating experience.
I've always known I can't sing. I like to sing, but it's sometimes a joyful
noise, and I do it because I want to, not because I'm any good. But, anyway, I
sang the scale, kind of laughed my way through it, because that's what I did. I
used humor to cover emotions that scared me.
The teacher looked at me, sighed
(many adults sighing in my presence), and asked, "Have you considered an
instrument?"
I can tell this story now for
laughs because it IS funny. At the time, though, it was another way I didn't
fit in. My parents were doing what they thought was best. They didn't know to
find other things that I might enjoy. In the 1970s, there weren't a plethora of
afterschool activities for children. It wasn't until college that I tried all
kinds of endeavors. Then my father proudly told everyone that I was blooming. And
in a way, I was coming out of my shell. I simply started finding things I was
good at and enjoyed. My confidence grew as I learned who I was and could be.
We did finally make our mother's
dreams come true. My sisters and I, with our brother, sang at my father's Army
retirement party. We sang Home on the Range and Elvira (Oak Ridge Boys). More
than anything, it was entertaining and memorable. There were two encore
performances of Elvira. The first was on our parent's 50th wedding
anniversary. And the last one was when my siblings and I, our parent's financial
advisor, and two Ft Jackson, SC Cemetery workers interred our mother's ashes.
We sang Elvira at the columbarium site. The advisor joined us on the chorus,
"giddy up, oom poppa, omm poppa, mow mow, heigh-ho silver away."
After we said goodbye to mom, one cemetery staff took off his cap, looked me
straight in the eyes, and said, "That's the best memorial service I've
ever attended."
I began believing I am fearfully
and wonderfully made on my path to healing from rejection. I no longer see the
world from the outside looking in. Instead, I revel in ways I am different and
appreciate the talents I see in others. Once I started accepting my
differences, rather than trying to conform, I did indeed bloom. And my Father
is proud.
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